Archives For Art

James Casebere has always been on the forefront of what is called constructed photography. Meaning, in his case, the images are made from architectural models the artist makes and then photographs in his studio. Think of it as sculpture that only exists as a two-dimensional photographic image.  Casebere is obsessed with empty spaces and the uncanny power they communicate. He is the Hitchcock of uninhabited interiors. For 30 years he has produced monumental haunting imagery based on small table top forms.

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 “His work was associated with the “Pictures Generation” of  “post-modern” artists who emerged in the 1980’s, which included Cindy Sherman, Robert Longo, Laurie Simmons, Richard Prince, Matt Mullican, James Welling, Barbara Kruger, and others. For the last thirty years Casebere has consistently devised increasingly complex models and photographed them in his studio. Based solidly on an understanding of architecture as well as art historical and cinematic sources, Casebere’s abandoned spaces are hauntingly evocative.  His table-sized constructions are made of simple materials, pared down to essential forms”.

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via the artists web site

 

The Constructed Photographs of James Casebere

Photography is at its best when it becomes more than just the thing photographed. Jackie Nickerson gives us both photograph as human sculpture and a faceless portrait of the thankless tasks preformed by the farm workers of Zimbabwe; which then becomes a metaphor for the invisible workers everywhere who provide the modern world with all its material desires. See this incredible series: TERRAIN

TERRAIN

JANUARY 16 – FEBRUARY 15, 2014 @ JACK SHAINMAN GALLERY
513 WEST 20TH STREET, NEW YORK, NY 10011

 

  

 

“Jackie Nickerson began photographing Zimbabwean farm workers in 1996 as a way to change the perception that those who work in African agriculture are dis-empowered, un-modern people. The resulting series, Farm, focused on the unique and beautiful clothing the workers made for themselves, and by doing so highlighted the worker’s identity, individuality, and ultimately their modernism.

This was published by Jonathan Cape in September 2002. German edition, ‘Leben Mit Der Erde’, published by Frederking and Thaler, 2002; French edition, ‘Une Autre Afrique’, published by Flammarion 2002.

For her most recent series, TERRAIN, Nickerson turns her attention to the roles in which workers play in the production and commodification of agricultural goods. TERRAIN focuses on the synergy between cultivation, workers and the environment, employing a reduced artistic language to draw attention to important debates around crop specialization, subsistence farming and food security.

Nickerson was born in Boston, USA in 1960 and divides her time between Ireland and southern Africa. Her work is held in many important private and public collections and has been exhibited in venues which include the Santa Barbara Museum of Art; Museum of Modern Art, Salzburg; Palais des Beaux-Arts, Brussels; National Portrait Gallery, London and the Irish Museum of Modern Art, Dublin.”

She is represented by Jack Shainman Gallery in New York.

via http://www.jackienickerson.com/

Exhibition: Jackie Nickerson Photographs

 

In Art School the saying goes; “If you can’t make it good make it big. If you can’t make it big paint it red”.  But with this stellar cast of painters, big paintings are big for a reason. This is a must see all-star show. Every painting is a home run.

January 28 – March 2, 2014
Wilkinson Gallery
New York Academy of Art
111 Franklin Street New York, NY 10013

 

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Exhibition: New York Academy of Art: The Big Picture

I can’t wait to see this show…

Remember if it were up to the dealers the photography world would be stuck in the 19th century forever. (Too much emphasis on selling antiquities and thus antiquated ideas). Try to remember it is not a lens and shutter that defines a photograph. It is now about the “ideas and concepts” behind the image and any artist should be able to embrace every tool of the trade to bring their vision to light.

There will always be those that “take” a photo and then there are those that “make” one. ( The latter is far more interesting in my opinion and where I live and think; See my new Light Projections and Infinities).

Is a scanner a type of camera? You bet it is. If there is a rule that defines what a photograph is today it is simply that there are no rules – only questions. Those that pose the most interesting questions and push the medium will succeed because change must happen. ( The type of work I am talking about can not be made with a Photoshop filter…) Embrace the changes, as this is the most exciting time for Photography I have seen in 25 years.

Screen shot 2014-02-01 at 12.53.02 PMMatthew Brandt, Grays Lake, ID 7, 2013. © Matthew Brandt, courtesy Yossi Milo Gallery, New York.

 

JANUARY 31–MAY 4, 2014

Organized by ICP Curator Carol Squiers, What Is a Photograph? will explore the intense creative experimentation in photography that has occurred since the 1970s. Conceptual art introduced photography into contemporary art making, using the medium in ways that challenged it artistically, intellectually, and technically and broadened the notion of what a photograph could be in art. A new generation of artists began an equally rigorous but more aesthetically adventurous analysis, which probed photography itself—from the role of light, color, composition, to materiality and the subject. What Is a Photograph? brings together these artists, who reinvented photography.

Artists

Matthew Brandt
Marco Breuer
Liz Deschenes
Adam Fuss
Owen Kydd
Floris Neusüss
Marlo Pascual
Sigmar Polke
Eileen Quinlan
Jon Rafman
Gerhard Richter
Mariah Robertson
Alison Rossiter
Lucas Samaras
Travess Smalley
David Benjamin Sherry
Kate Steciw
Artie Vierkant
James Welling
Christopher Williams
Letha Wilson

via ICP

Exhibitions New York: What is a Photograph at ICP

Roger Ballen is the William Faulkner of image-makers. His work is in the collections of over 20 museums yet the general public does not know much about him. He still shoots film. He mines the areas between sculpture and photography, darkness and the light.  His photos are some of the richest in all of art. He makes his work in places in South Africa where the police will not go near; Hell on earth kind of places.  His disturbing work grabs the back of your brain and won’t let go. Right now he is everywhere. Check out why he has blown the doors off the art and photo world. Maybe the most powerful work ever done by any artist. To understand the environments he frequents, and thus his pictures, you have to see the video above first…

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“Photography is like going into the mineshaft”

“What I am doing is about visual relationships not stories…”

 

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On his project: Aslyum for the Birds:

Asylum has two main meanings in the English language; the first is a place where insanity prevails and the second describes a place of refuge. In some ways those are very opposing meanings. In ‘Asylum of the Birds’, the asylum is place where animals and people live together away from the outside world. It’s a very claustrophobic, surreal and strange place yet, at the same time, what’s going on in this place is abnormal – it comes from deeper levels of the subconscious, but I don’t equate those deeper levels with insanity.

via January 2014 / Peggy Sue Amison in conversation with Roger Ballen

 

 

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Excerpt from his talk at the George Eastman House: The Shadow Chamber

 

 

The Photographs of Roger Ballen