Going well beyond the simple document and using time as a visual key into the work, Amy Elkins has made an astounding group of images about capital punishment titled: Black is the Day, Black is the Night.
For her series “Parting Words,” Elkins utilized the text of the last words of executed prisoners to reconstruct their mug shots and portraits. “These briefest of statements resonate with the micro-narratives of entire lives, tragic crimes, and opportunities and potential squandered,” writes Aperture Books Publisher Lesley A. Martin in a statement announcing Elkins’ award.
To create her second series on capital punishment, “Black is the Day, Black is the Night,” Elkins corresponded with death-row inmates and created images based on those conversations. In her series she combines these images with photographs of the physical letters, and with portraits of the inmates which she obscures digitally according to the amount of time the inmate has been incarcerated. “As viewers, we are invited to puzzle over an assortment of clues, including reenactments, exhibits submitted for our considerations, partial evidence, and statements both leading and misleading,” Martin writes.
Amy Elkins Wins Aperture Portfolio Prize