Archives For Photography

Anyone in a Fine Arts program in the last 3 decades would eventually have came across the work of Barbara Kasten. Seeing her work for the first time taught me that a photograph could be so much more than just a document. Part performance, sculpture, still life and abstraction – her work blends varied traditions from multiple mediums. There are many who have explored photography this way but they all owe Kasten a nod for mining this territory so well and thoroughly.

This is the first retrospective of her work at ICA and not to be missed.

 

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Barbara Kasten: Stages is the first major survey of the work of artist Barbara Kasten. Widely recognized for her photographs, since the 1970s Kasten has developed her expansive practice through the lens of many different disciplines, including sculpture, painting, theater, textile, and installation. Spanning her nearly five-decade engagement with abstraction, light, and architectonic form, this exhibition situates Kasten’s practice within current conversations around sculpture and photography. Kasten’s interest in the interplay between three- and two-dimensional forms, her engagement with staging and the role of the prop, her cross-disciplinary process, and her new approaches to abstraction and materiality are all intensely relevant to the present artistic moment, resulting in a new generation of artists who have drawn inspiration from Kasten’s aesthetic and method.

Kasten’s work has roots in the unique and provocative intersection of Bauhaus-influenced pedagogy in the US, the California Light and Space movement, and postmodernism. Taking its cue from the multiple ways in which Kasten herself has staged her work, both in the studio and on site, the exhibition makes links between her more well-known photographic series of studio constructions and architectural interventions and her earliest fiber sculptures, mixed media works, cyanotype prints, and forays into set design. In addition, Kasten will create a new site-specific installation in the ICA galleries.

Organized by Alex Klein, the Dorothy and Stephen R. Weber (CHE’60) Program Curator. The exhibition is accompanied by a fully illustrated publication that includes a biography of the artist, new scholarly essays by the curator as well as by art historians Alex Kitnick and Jenni Sorkin, and a conversation between Kasten and artist Liz Deschenes.

 

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via ICA and barbarakasten.net

 

 

Exhibition: Barbara Kasten at ICA

As the year draws to a close and most are listing their top 10 lists for 2014 I will leave you with what I think is one of the most profound works I have seen this past year. Part document and part performance piece, Simon Norfolk travels to Africa for the NYTimes to photograph the slow disappearance of Lewis Glacier on Mount Kenya due to the profound effects of global warming. His solution to depicting this reality of our world (quickly reaching the point of no return) is both poetic, beautiful and unnerving as he outlines the receding glacier by long exposure while carrying a torch. His description below says it all…

…”The mountain didn’t seem overwhelming or otherworldly now, but rather broken and vulnerable. As Norfolk worked, he could hear meltwater rushing down the glacier’s flanks. Standing next to that ice field, he says, was like standing next to “the exhausted remains of something that was once glorious.” He thought of nature documentaries, of scenes in which, say, a bull elephant is tranquilized by a researcher and crumples on the ground. “You can approach it now, because it’s safe,” Norfolk says. “But you feel its desperateness, as if it is opening one eye and looking back at you, saying, ‘What have you done to me?’ ”…

 

nytimes simon norfolk

 

 

 

Simon Norfolk: The Best Photograph of 2014

My work will be auctioned in London this week for International Rescue Committee 

***UPDATE: The print sold at Auction for £2,000 which as agreed with IRC the following 4 prints in the edition will be sold for that amount. I will donate portion of sales after expenses on remaining 4 prints. The print can be purchased on my web site here: http://www.studio-4a.com/-/ttrdp/jobs/international-rescue-committee-print 

Article in Financial Times with links ( and more info below): http://www.ft.com/intl/cms/s/2/e95d93dc-6b1f-11e4-be68-00144feabdc0.html#slide25

irc print

 

 

 

 

 

 

 

 

 

 

 

 

 

 

International Rescue Committee Print

Nocturne #6 (Special Edition Print)  by Thomas Brummett

17.5×40″ or 44×101 cm Silver Gelatin Fiber Based Print.

This print will be in an edition of 5. The first print will be auctioned off in London which will set the price for the following 4.

With the following 4 prints the artist will donate 50% of all sales (less expenses) to International Rescue Committee.

How to bid

This year bidding will include absentee bids as well as live bids on the evening. Bidding will open at midday (12pm GMT) on Wednesday November 26 and close on 4pm (GMT) on Wednesday December 3.

The highest absentee bid will have a representative who will make a bid on your behalf.

Absentee bids

Bidding is open for absentee bids. To register, please email contactus@rescue-uk.org or 44 (0)20 7692 2751 with your full name, mobile phone number, landline number, email address, lot title and your maximum bid.

We will call you to finalise your registration and payment details if you are the highest bidder.

 

The passing of one of the great photographic visual intellects who influenced a generation (and will continue to do so). As a Philadelphia local and international star Ray will be missed by so many.

He once said his goal was “a unique way of seeing,” one in which “new eyes replaced the old.” Ray did this repeatedly over the course of his long and amazing career. No one on the planet has the photographic visual acuity of Ray Metzker. He is completely unique in this respect.  This is why so many of his works are in the collection of the Museum of Modern Art (not to mention at least 20 other Museums). In the history of photography he will always remain a singular artist that truly did invent a new way of seeing.

Rest in Peace Ray. Job well done!

(Nice piece today remembering him in the NY Times here).


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Ray

Ray K. Metzker 1931- 2014

*** I will be giving a presentation on my work Thursday, October 2, 6 p.m at the Museum.

Contemporary Photographers, Traditional Practices: Vision and Method in the 21st Century

October 2nd to November 22, 2014
Eleanor D. Wilson Museum at Hollins University

The Eleanor D. Wilson Museum at Hollins University enters its second decade this year with a fall exhibition celebrating photography. In collaboration with the Schmidt-Dean Gallery in Philadelphia, the museum presents an eclectic exhibition of thirteen contemporary photographers represented by the gallery, all of whom enjoy regional and national reputations. Curated by Schmidt-Dean Gallery director Christopher Schmidt, the exhibition features a wide range of both technical and conceptual approaches. Included are historical procedures such as the tintype, cyanotype and gum-bichromate process; alternative techniques such as pinhole and hand painting; and more traditional methods in both analog and digital. Throughout, these various approaches are applied to a wide range of subjects and ideas.

Exhibiting artists include: Linda Adlestein, ***Thomas Brummett, Susan Fenton, Larry Fink, Alida Fish, Sarah Van Keuren, Stuart Klipper, Christopher Moore, William Smith, Krista Steinke, Ruth Thorne Thomsen, Ida Weygandt, and Samuel Worthington.

 

 

Contemporary Photographers: Vision and Method in the 21st Century