Archives For Exhibitions

Anyone in a Fine Arts program in the last 3 decades would eventually have came across the work of Barbara Kasten. Seeing her work for the first time taught me that a photograph could be so much more than just a document. Part performance, sculpture, still life and abstraction – her work blends varied traditions from multiple mediums. There are many who have explored photography this way but they all owe Kasten a nod for mining this territory so well and thoroughly.

This is the first retrospective of her work at ICA and not to be missed.

 

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Barbara Kasten: Stages is the first major survey of the work of artist Barbara Kasten. Widely recognized for her photographs, since the 1970s Kasten has developed her expansive practice through the lens of many different disciplines, including sculpture, painting, theater, textile, and installation. Spanning her nearly five-decade engagement with abstraction, light, and architectonic form, this exhibition situates Kasten’s practice within current conversations around sculpture and photography. Kasten’s interest in the interplay between three- and two-dimensional forms, her engagement with staging and the role of the prop, her cross-disciplinary process, and her new approaches to abstraction and materiality are all intensely relevant to the present artistic moment, resulting in a new generation of artists who have drawn inspiration from Kasten’s aesthetic and method.

Kasten’s work has roots in the unique and provocative intersection of Bauhaus-influenced pedagogy in the US, the California Light and Space movement, and postmodernism. Taking its cue from the multiple ways in which Kasten herself has staged her work, both in the studio and on site, the exhibition makes links between her more well-known photographic series of studio constructions and architectural interventions and her earliest fiber sculptures, mixed media works, cyanotype prints, and forays into set design. In addition, Kasten will create a new site-specific installation in the ICA galleries.

Organized by Alex Klein, the Dorothy and Stephen R. Weber (CHE’60) Program Curator. The exhibition is accompanied by a fully illustrated publication that includes a biography of the artist, new scholarly essays by the curator as well as by art historians Alex Kitnick and Jenni Sorkin, and a conversation between Kasten and artist Liz Deschenes.

 

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via ICA and barbarakasten.net

 

 

Exhibition: Barbara Kasten at ICA

Art that understands the vocabulary of its past always catches my eye. Beth Lipman who shows at the wonderful Claire Oliver Gallery in New York knows still life. Her glass sculpture speaks to that over the top still life tradition of the 17th century where bountiful excess was all the rage. (Wait!!! That seems to be our era as well!) History has a way of repeating itself but not Beth. These are really wonderful works that take this ancient tradition and spin it so that it speaks to us here and now.

Keep an eye out for her exhibition in April 2015.

 

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pitcher-with-vines-back

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All images via Claire Oliver Gallery

 

 

 

The Work of Beth Lipman

Not to late to catch this exhibition at Temple Contemporary

 

Stop Telling Women to Smile
Tatyana Fazlalizadeh

Stop Telling Women to Smile comes from Tatyana Fazlalizadeh’s interviews with women about their street harassment experiences. Fazlalizadeh draws portraits of these women, adds text from their statements and experiences, and pastes them around the city in areas where harassment occurs. They serve as a way to talk back to street harassers in the spaces where the problem exists. This is part of our series on street harassment, which grew out of our Advisory Council‘s question “What makes us feel safe?” Stop Telling Women to Smile is on view at Temple Contemporary through January 31st.

via Temple Contemporary

protest

The Protests of Tatyana Fazlalizadeh

The Work of Do Ho Suh

October 6, 2014 — Leave a comment

In Art School they told us to either make the extraordinary ordinary or make the ordinary extraordinary. I will leave you to figure out what Do Ho Suh is up to with these miraculous and luminous objects and environments.

 

Specimen Series: Stove, 348 West 22nd Street, APT. New York, NY 10011, USA, 2013 polyester fabric 73.66 x 36.22 x 34.8 inches 187.1 x 92 x 88.4 cm Edition of 3

Specimen Series: Radiator, 348 West 22nd Street, APT. New York, NY 10011, USA, 2013
polyester fabric
73.66 x 36.22 x 34.8 inches
187.1 x 92 x 88.4 cm
Edition of 3

__Suh_Specimen_Series_Stove0

Specimen Series: Stove, 348 West 22nd Street, APT. New York, NY 10011, USA, 2013 polyester fabric 73.66 x 36.22 x 34.8 inches 187.1 x 92 x 88.4 cm

 

Seoul Home/Seoul Home/Kanazawa Home, 2012 silk, metal armature 573.62 x 282.28 x 153.94 inches 1457 x 717 x 391 cm Edition of 3

Seoul Home/Seoul Home/Kanazawa Home, 2012
silk, metal armature
573.62 x 282.28 x 153.94 inches
1457 x 717 x 391 cm
Edition of 3

 

Wielandstr.  18, 12159 Berlin, 2011 polyester fabric 138.58 x 82.68 x 258.27 inches 352 x 210 x 656 cm Edition of 3

Wielandstr.
18, 12159 Berlin, 2011
polyester fabric
138.58 x 82.68 x 258.27 inches
352 x 210 x 656 cm
Edition of 3

All Photos via  http://www.lehmannmaupin.com/artists/do-ho-suh

 

 

 

The Work of Do Ho Suh

 

 

*** I will be giving a presentation on my work Thursday, October 2, 6 p.m at the Museum.

Contemporary Photographers, Traditional Practices: Vision and Method in the 21st Century

October 2nd to November 22, 2014
Eleanor D. Wilson Museum at Hollins University

The Eleanor D. Wilson Museum at Hollins University enters its second decade this year with a fall exhibition celebrating photography. In collaboration with the Schmidt-Dean Gallery in Philadelphia, the museum presents an eclectic exhibition of thirteen contemporary photographers represented by the gallery, all of whom enjoy regional and national reputations. Curated by Schmidt-Dean Gallery director Christopher Schmidt, the exhibition features a wide range of both technical and conceptual approaches. Included are historical procedures such as the tintype, cyanotype and gum-bichromate process; alternative techniques such as pinhole and hand painting; and more traditional methods in both analog and digital. Throughout, these various approaches are applied to a wide range of subjects and ideas.

Exhibiting artists include: Linda Adlestein, ***Thomas Brummett, Susan Fenton, Larry Fink, Alida Fish, Sarah Van Keuren, Stuart Klipper, Christopher Moore, William Smith, Krista Steinke, Ruth Thorne Thomsen, Ida Weygandt, and Samuel Worthington.

 

 

Contemporary Photographers: Vision and Method in the 21st Century