Wow…
Video of it here before light was added: http://www.gogglepix.com/olafur-eliasson-sphere/
http://www.olafureliasson.net/
Olafur Eliasson Sphere
#OlafurEliasson
Archives For Art
With Anselm Kiefer now moving past 70 years old he seem to be even more consumed with time and the constant destruction and renewal of life itself. His production and energy seem to be at all time peak given what this wonderful video by Art Documentaries gives us. Not only do we get to finally see his incredible studios but also his humor, generosity and the power of what one can do with vast amounts of money coupled with extraordinary lines of thinking.
Here is a man who’s thoughts were once translated in paint, lead and straw are now expressed in his grand palace’s of the mind. Every artist who thinks they are an artist should view this film and start all over from the beginning – or just give up – as there is no one I can think of doing work on this scale of shear magnitude, raw talent and intellect.
Anselm Kiefer Documentary
Maybe one of the most influential photographers (along with her late husband Bernard) to have lived in the modern era….
“They are best known for their extensive series of photographic images, or typologies, of industrial buildings and structures, often organised in grids. As the founders of what has come to be known as the ‘Becher school’ they influenced generations of documentary photographers and artists. They have been awarded the Erasmus Prize and the Hasselblad Award.” via https://en.wikipedia.org/wiki/Bernd_and_Hilla_Becher
Obituraries here:
http://www.theguardian.com/artanddesign/2015/oct/15/hilla-becher
Via the New York Times and Sonnabend Gallery
Via MOMA.org
Hilla Becher 1935 to 2015
Rediscovered the Japanese Tea Rooms at the Philadelphia Museum of Art yesterday and reminded why my first love was Japanese Scroll Painting & Ceramics. My early series Nature Morte & Desert, are especially informed by this aesthetic. Some of my Nocturnes are (visually) based on Japanese Garden views from ancient Tea Rooms. Looking back, the ancient Japanese artists and craftsman were some of first Modernist’s it seems. I am always shocked how contemporary their ancient visual language actually was.
Detail of Japanese Tea Room Philadelphia Museum of Art.
Lions at the Stone Bridge of Tendaisan Artist: Soga Shōhaku (Japanese, 1730–1781) Period: Edo period (1615–1868) Date: 1779 Culture: Japan Medium: Hanging scroll; ink on silk Dimensions: Image: 44 7/8 in. × 20 in. (114 × 50.8 cm) via http://www.metmuseum.org/
Suzuki Kiitsu’s ‘Cranes’ (19th century Edo Period) | THE FEINBERG COLLECTION via http://www.metmuseum.org/
Mino ware, Oribe style; glazed stoneware, 1 7/8 x 7 3/4 in. (4.76 x 19.69 cm) via Seattle Art Museum
Image Below:
Study for Light Projection’s 38 & 39 (Negative Versions) 2015 by Thomas Brummett
(From Unique Silver Gelatin Prints)
Each work is 36×47″ 100 year Color Pigment Print
Edition of 5
Monthly Mailer: http://us6.campaign-archive2.com/?u=ccc15c08cde9180589d2022b7&id=0b66c3bb59
Study for Light Projection’s 38 & 39